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The story of a WWII American soldier (Dean Stockwell) magically finding himself fighting on the Japanese side could have gone down in Twilight Zone history as a fine but unmemorable example of its many shoe-on-the-other-foot fables.
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Predictably, the man uses his new powers in a series of sequences reminiscent of George Reeves-era Superman, only to have the episode fizzle out when it runs out of ideas for lame set pieces. If The Twilight Zone has an acting MVP, it’s Burgess Meredith, but even Meredith’s natural warmth can’t save this gaudy slapstick episode about a one-dimensional buffoon given super strength by a duo of Martians (two bald men wrapped around a funeral shroud). The episode is known for including a brief appearance by Burt Reynolds, but that’s not enough to give this one a chance.ġ54.
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Jack Weston mugs too frenziedly to the camera as a TV writer who conjures William Shakespeare (John Williams, as an elementary school-level imitation of “The Bard”) in order to steal his ideas. This is one of the rare episodes in which such a person is not only presented as charming, but also gets rewarded for duplicitous behavior.
The Twilight Zone is known for putting toxic characters in their place through ironic cosmic justice. The premise, in which a wisecracking genie (Jack Albertson) puts a lovesick schlub (Howard Morris) into different scenarios so he can “conquer” his workplace crush, predates the Dudley Moore-Peter Cook classic Bedazzled. Add in the series’ ratio of strikes to hits when it comes to comedy, and “I Dream of Genie” sticks out like the pilot of a long and lazy sitcom. The Twilight Zone’s fables were fine for the half-hour format, but overstayed their welcome when doubled in length, with lots of repetitive filler. The bottom of this list contains a number of titles from the ill-fated fourth season, when CBS decided to extend each episode to an hour. It seems nothing beats a classic, so below is a ranking of every original Twilight Zone episode from worst to best to aid in your own first-time viewing or rewatch: Then came Jordan Peele, whose socially conscious horror masterwork Get Out suggested him as the perfect creative mind to carry Serling’s mantle: Fresh off the debut of his sophomore feature, Us, Peele’s 2019 spin on Serling’s series also aired one hit or miss season on CBS All Access (now Paramount+). The film’s success led to a 1985 reboot of the series, which aired for three seasons, and a 2002 version hosted by Forest Whitaker, which lasted only one.
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A Twilight Zone movie premiered in 1983, comprised mostly of remakes of classic episodes directed by the period’s Hollywood power players of the time.
The enduring popularity of the concept has also allowed several continuations of its own. Since the original came to an end in 1964, fans have debated the best The Twilight Zone episodes (with worst Twilight Zone episodes largely ignored in syndication or TV marathons). For instance, its first copycat, The Outer Limits, was so successful its own right that it already enjoyed a seven-season reboot in the 1990s, and it would be impossible to imagine the popular Black Mirror series without The Twilight Zone’s influence. Perhaps the only detriment to being a hardcore Twilight Zone fan is the knowledge that even the most “original” high-concept movie, TV series, or novel can often be traced back to at least one episode of the series, which premiered in 1959: After all, its central themes-fear, paranoia, prejudice, greed, ego, and so on-are timeless.
This made certain that “genre” fare could no longer be dismissed as mere child’s play. In the introduction to his invaluable book The Twilight Zone Companion, Marc Scott Zicree calls Rod Serling’s game-changer a “flower booming in a television desert.” It’s hard to overstate the series’ impact on our understanding of TV’s potential for telling bold, complex stories, not to mention the genres of science fiction, horror, and fantasy: In addition to defining the anthology series form, top Twilight Zone episodes embody Serling’s vision for weekly short stories with complex moral and existential quandaries.
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